Saturday, 31 July 2010

Travels with my Aunt

I picked up 'Travels with my aunt' by Graham Greene a few weeks ago on a book buying splurge, coming home with seven books that set me back about a tenner. I took it off the shelf because I read 'The Power and the Glory' and 'Brighton Rock' for A level and reading the blurb this one sounded less dark and much more entertaining.

Set in the 60's it is the tale of an unlikely hero, Henry, a retired bank manager, who lives a quiet life tending his dahlias until it is rudely interrupted by the reappearance of his Aunt Augusta, who turns up at his mother's funeral. She seems to have a lived a somewhat wild and bohemian lifestyle, spread across Europe and Latin America, but is currently residing above a pub, with a man who may or may not be called Wordsworth (and who may or may not have mixed pot in with his mother's ashes). Everything about her is mighty suspicious, and she catches Henry's interest with some surprising information about his birth, that his mother was not in fact his mother but had married his father and agreed to take on another woman's illegitimate child. The true identity of his mother is never revealed, though various hints are dropped, and she certainly seems to retain a certain fondness for Henry's father, so you are left to assume that his aunt was in fact his mother. At first Henry longs to escape back to his quiet life, but her stories gradually draw him in, and starting with a tame journey down to Brighton he soon finds himself on the Orient Express across Europe to Turkey and gets embroiled in gold smuggling, spies and war criminals.

I liked Henry so much because in spite of the often strange and disturbing situations he finds himself in he keeps his calm, and manages to handle it all just as you imagine a decent respectable bank manager would. He is very thoughtful and caring, and as his life is turned upside down by his newfound relationship with Aunt Augusta he weighs up with due consideration the advantages and disadvantages of his former quiet life over this new and exciting one she is offering. Aunt Augusta you like because of her exuberance and zest for life, and her slightly melancholy longing for the mysterious Mr Visconti, who has come and gone from her life over the years but remains the object of her affection. She is an eternal optimist, and strangely things always seem to work out for her. It is as if she has taken pity on Henry (maybe feels guilty for her abandonment?), sees his life as shallow and empty and is determined to inject some joy and adventure into it before it is too late.

So after some jaunts across Europe Henry returns to his home and is left bereft for nearly a year, a period punctuated by visits from the nice Sergeant Sparrow, who is very suspicious about his aunt's whereabouts and contacts.

"I feared that my aunt had left me for good. She had come into my life only to disturb it. I had lost the taste for dahlias. When weeds swarmed up I was tempted to let them grow." (p.163)

Eventually a letter arrives and Henry ends up travelling to Paraguay, his only instruction to bring a somewhat anonymous photograph of Freetown Harbour. He finds his aunt almost destitute, but reunited with Mr Visconti, and with her usual bravado she sets about restoring their fortunes, by less than conventional and less than legal means. In the end, you could kind of see it coming, Henry abandons all interest in his quiet life and decides to immerse himself completely in their new business and environment.

The books is wonderfully fast paced, enough descriptive detail to give the tale atmosphere but it is the characters and the action that carry it along. The journeys are peppered with interesting minor players who tell their stories in turn and add to the richness of the book. You can see why some authors will stand the test of time and are considered an important part of our country's literature. I will end with this lovely quote which made me smile because it is about the postal system:

"The afternoon post arrived punctually at five: a circular from Littlewood's, although I never gamble, a bill from the garage, a pamphlet from the British Empire Loyalists which I threw at once into the waste paper basket, and a letter with a South African stamp. The envelope was type written so I did not at once conclude that it had been sent by Miss Keene. I was distracted too by a package of Omo propped against the scraper. I certainly had not ordered any detergent. I looked closer and saw it was a gift package." (p.139-40)

Friday, 23 July 2010

Been away in the rain

Our trip to Wales was cancelled by a hurricane that destroyed Julie and Al's tent, added to which our tent was also wrecked by a storm at HES FES, so it looked like it was going to be a sad and boring week off. However Julie was undaunted and she fitted out an old tent and found us a lovely site at Bishop's Castle. I dug a *very ancient* possibly-three-man-tent out of the loft and we all congregated at the site at Foxholes farm. Blazing sunshine was swiftly followed by lots of rain .... and then more rain. Wednesday we took our lives in our hands and walked to The Devil's Chair (this is me and Tish clinging to the triangulation point at the top).
And here is the whole gang, just before it started to rain on us again (including M in her pyjamas ... she changed her mind about coming as we started the car!). We adjourned to the Bog Visitor Centre for tea and home-made cakes and ice-cream and rhubarb and ginger jam.

Thursday, 15 July 2010

Work Perk of the week: the great outdoors

a tiny handful of sweet wild strawberries,
blackberries gathered at Ditchford Far Hill
the refreshing scent of lavender, everywhere
the rose garden at Northwick Park
the stream at Blockley,
tiny fish flitting and so tempting to paddle
the view across to Barton on the Heath,
with the mist haze in the distance
a pair of buzzards circling down the Evenlode road
a young hare on the drive to Upper Rye farm,
and, once, a badger.

Tuesday, 13 July 2010

A Wedding in December

Alongside 'Arcadia' I have had some light relief and have been reading 'A Wedding in December' by Anita Shreve. You tend to find her books in charity shops a lot, I think it says that she is well read, but that people don't feel the need to keep them on their shelves. She has been churning out nice readable stories regularly for the last 20 years, many of which I have read.

This is the tale of a group of school friends who are reunited for the wedding of two of their number, Bridget and Bill, high school sweethearts who went their separate ways and then re-met years later. It is a story about stories, how they have all gone their separate ways and lead their separate lives, but are still bound together by events from their youth.

I found myself drawn to the story of Nora, recently widowed after marriage to a renown poet and who is hosting the event in her newly refurbished inn, and Harrison, on the surface happily married but still carrying a torch for Nora after all these years apart. They spend the weekend dancing carefully round each other, not saying things, with Harrison simply waiting and watching her in the same way he was forced to as a teenager, when she was dating his best friend Stephen. As usual with these kind of books things are not as they first appear on the surface and as the weekend progresses it is Agnes, with a secret of her own, who brings it all to a head. The truths are told and a kind of peace restored, and they all go back to their separate lives, older and wiser we hope.

I think maybe she was not totally sure what she was doing with this book because alongside the main story is scattered a story that Agnes is writing, about the Halifax Explosion, a real event that took place towards the end of the First World War, where a munitions ship exploded in Halifax harbour causing massive damage to the town and huge numbers of deaths and injuries. I think she is trying to make some point about how random external events affect the course of people's lives, but I am not sure how well it works. I liked the little 'story-within-a-story' but it felt somewhat superfluous. She does make a neat little point at the end about 'not-stories', the things that didn't happen but might have/should have, and the prospects for going back, or rather coming round in a circle and making them happen. Nice light holiday reading, undemanding but enjoyable.

Arcadia

I took my life in my hands last night and went along to a book group that has been meeting in Moreton for about six months or so, to discuss 'Arcadia' by Tom Stoppard. I had actually seen the notice with enough time to acquire and read the book that they were reading. So, it was quite an experience (the word 'themes' was used on more than one occasion!) but great, because they had all read the book, and not only read it but really thought about it and had interesting opinions and reflections to share.

Anyway, Arcadia is a play, set partly in 1809 and partly in the present day (it was first staged in 1993) in a large country house inhabited by the Cloverly family. I am still not to sure about the whole 'themes' thing as in conversation with my sister's partner Geoff on sunday he said it was all about quantum physics and I should look up Fermat's Last Theorem on wiki and make myself sound very clever. Although there are conversations about mathematical ideas in the play it was not the way I read it at all. The play has the two parts which are played out in separate scenes but within the same stage setting, a large room furnished primarily with a large table, the contents of which form an integral part of the plot. It jumps back and forth between the two separate but interlocked stories: the first story concerning Thomasina and her tutor Septimus, the remodelling of the gardens and a not inconsequential sexual indiscretion in the gazebo; in the second part Hannah and Bernard are separately researching events at the house, and trying to figure out who the elusive hermit might have been. The presence, or not, of the poet Byron, and his part in the events concerned, is a cause for much debate. In the final part of the play you have characters from both parts of the story on the stage together, crossing over each other and drawing together the strands of the tale.

I so enjoyed reading this play and will jump at the chance to see it on the stage some time. It is not something you can sum up easily but everything about it was so clever. The writing is just wonderful, every exchange is important, the characters are all real people, it is very witty and made me laugh out loud several times. The thing that strikes me the most though is even just reading it I could visualise how it would look on the stage, and how it makes perfect use of the medium. Many plays are just people telling a story on a stage, this play uses the stage and the coming and goings of the actors to it's fullest effect. The importance of the props is one example, the book that Thomasina writes in, the plans for the new garden, letters tucked inside a poetry book, and most importantly the tortoise, and also music playing in the background as a link between the two time periods. Even to turn it into a film would be pointless, because it has only one setting, if you tried to move the action outside for example, into the garden, you would gain nothing and lose something essential to the play. It is just a perfect piece of theatre.

Friday, 9 July 2010

HES FES

Tomorrow I will be driving down to HES FES, the Home Educators Summer Festival. It is a wonderful event that has been run by the wonderful Andy for the last twelve years. The few times we went years ago I loved being surrounded by like-minded people and wild children who made me feel that the way we lived was not so outrageous as it sometimes seemed. M is spending the week ... I am coming home to go to work. Maybe next year:-)

Wednesday, 7 July 2010

Postsecret

I have been following the 'Postsecret' blog for a while now and look forward to the weekly postings. This blog started out as a community art project, but has become something much bigger. Basically people send in anonymous post cards and share a secret with the world. You are encouraged to personalise the postcard with an image that represents something about your secret. They vary from the utterly ridiculous to the absolutely heartbreaking. So many of them were about people's deep unhappiness that the project took this to heart and now also supports a suicide prevention phone line. I like it because it speaks volumes about the human condition, the things that concern us and the things we do to each other. It takes you to the extremes of exuberance and the depths of despair. There are also Postsecret books, one of which I recently got from the library. Apparently people often go to bookshops and leave their secrets in the books too. I have snatched a couple of images to show you:
the exuberance
how much we pretend to be something to appease others
how much we hide our unhappiness