I was excited to see 'Time Shelter' by Georgi Gospodinov on the International Booker shortlist having read 'Natural Novel' a few years ago. This book reminded me most strongly of Austerlitz as the main character tells a meandering story of his relationship with Gaustine. To begin with they recreate period specific spaces to help patients with Alzheimers, reproducing not just sights but sounds, smells and tastes from the past. The experiment works so well that other people want to try out the spaces. Then people, finding the present unbearable, start wanting to just live in the past permanently. The 'time shelters' are somewhere people feel safe. The whole things seems to snowball from there until, somewhat akin to Brexit, the countries of Europe take votes to decide what decade they would like to go back and live in. I have not captured anything about the book describing it like this. It is a book about memory and the role it plays for both individuals and society.
From the beginning of the experiment:
"And so I traveled around, gathering up scents and afternoons, cataloging them. We need a precise and exhaustive description of which scent brings which memories back, what age it affects most strongly, which decade we could call forth with it. I described them in detail and sent my findings to Gaustine. In the clinic, scents could always be re-created when needed. Although some attempted to preserve the very molecules of a given scent, for Gaustine this was a waste of effort. It was much simpler and more authentic to toast a piece of bread or melt a bit of asphalt." (p.51)
Then at the end:
"First a few words disappeared. He turned it into a game, it was a long ago, they were still at the university. He told his wife and his friends those five or six disappearing words and when he needed one of them, they would prompt him - 'cornice,' 'mercantile,' 'rosemary,' 'confrontation'...
One day, perhaps because he had split up with his wife and had quit seeing his friends, and because the words were multiplying, he decided to write them down. At first a single piece of paper was sufficient, then both sides of a sheet of paper. Then another, and another ... Then he got himself a notebook. He called it A Brief Dictionary of the Forgotten. There was also a section for people's names. Gradually the number of sections increased - one for scents that reminded him of various things was added. Then one for sounds, he was going deaf on top of everything. (A doctor had told him that hearing loss and memory loss were related, they shared the same room in the brain.)
Finally yet another section appeared in the notebook, perhaps the most important of all - for that which had actually happened to him, so he could differentiate it from what he had read and from what he had invented.
Sooner or later everything would get mixed up - what had happened, what he had read, and what he had invented would jump up and switch places, until they gradually quieted down and faded away, but for now he was trying to hold the borders in place. Years later his ex-wife would line up for an autograph and he wouldn't be able to find her name in his head ..." (p.272-3)
'Greek Lessons' by Han Kang was similarly on my radar because of 'The Vegetarian' (from 2019). A nameless young woman is losing her son, and all her words, not forgotten but somehow trapped inside, unable to be spoken. She joins an evening class to learn Greek, making language an abstract thing that does not need to be spoken. The Greek teacher is losing his sight. Their lives are both empty but neither seems aware of their loneliness. Neither will admit to their weakness or ask for anything until circumstances force them together. This is not those circumstances:
"There is a particular expression his face assumes when he addresses someone. His gaze humbly requests the other person's consent; there are occasionally times when something other than deference, something like an inexplicable, delicate sadness, haunts his look.
It was around thirty minutes before the lesson's start, and they were the only ones in the classroom. After taking her seat, she got out her textbook and writing things from her bag one by one, distractedly raised her head, and their eyes met. He stood up from his own chair, which was placed next to the lectern, and approached a desk that was a little distance from hers. After pulling out the chair and making space, he sat down facing the aisle. He raised both hands and lightly interlaced them in the air; it was just for a few moments, but she thought he was asking for a handshake. He was quiet for a while with his hands interlaced like that. As though he were making up his mind whether or not to address her and would let her know in due course. Not long afterwards there was the sound of footsteps in the corridor, and he stood up and went back to his place next to the lectern." (p.71-2)
I seem to have done a lot of very serious reading recently, and while it has been intellectually challenging it has not necessarily been enjoyable. So now I am reading 'The Long Earth' by Terry Pratchett and Stephen Baxter and enjoying it very much. I have also spent a lot of time doing puzzles and not reading, it is relaxing to the brain to focus on something abstract. I am waiting for the rain to stop so I can go outside and sort the yard.
Stay safe. Be kind. Enjoy yourself.